In this painting. Dance of the Trinity, 2005, three individual but overlapping figures move together against a background of fragments of the sixth-century Athanasian Creed, which explores the doctrine of the Trinity. The forms have a layered transparency making it unclear as to who is in front, in fact, the intention is to show each dancer taking a turn as the principal while the other two recede but are never out of contact. As the figures flow in dynamic movements they interact with and make room for each other, which reflects the mutually indwelling persons of the Trinity.